About Us

The Sea Ranch Thespians are dedicated to bringing the most professional productions possible to the barn theatre. The Thespians challenge themselves and the audiences and "raise the bar" with each production. “Challenge” may be an understatement: computer-controlled lighting and sound, professional curtains, elegant flooring, a dedicated and extremely skilled stage/set construction crew as well as a dedicated and extremely skilled lighting and sound crew are all part of the productions. The equipment is equal to or better than many professional theatres.

The Sea Ranch Thespians began in 1998, with “Murder at Rutherford House”. Our 33rd production, "Death by Design" was performed in April 2014. All of this is done with volunteers – over a hundred names appear in each program. Acting talent comes from the local community and beyond – retired professionals as well as “I have never been on stage, but would like to” actors have joined the Thespians and the directors are skilled in working with all. Local artists have volunteered their skills to do set design, paint special backdrops, create program and poster designs, and design and maintain this web site. The enthusiasm is catching.

The Knipp-Stengel barn was built in 1880 out of redwood from the near-by hills. Its size allows a stage to be erected in a variety of sizes, levels and locations. The acoustics are wonderful – no doubt appreciated by the animals who were the original residents. A group of volunteers, The Barn Crew, spent over ten years doing a structural renovation and then became skilled in theatre set building.

After each production, the stage, audience risers, curtains and all the various props are taken down, stored or returned and the barn becomes a barn again.

 

Our Playhouse . . . "The Barn"

Knipp-Stengel Barn

The Sea Ranch Thespians call a century-old barn their playhouse. Built around 1880 by German immigrants, the completely restored Knipp-Stengel Ranch barn overlooks the Pacific Ocean on Highway One. At 160 feet long by 60 feet wide, this imposing landmark dominates the landscape in the center of The Sea Ranch. The structural renovation of the barn was accomplished entirely through volunteer labor, and the building has been placed on the National Register of Historic Places by the United States Department of the Interior.

For Thespian productions, the unobstructed interior of the barn allows a moveable stage to be erected in a variety of sizes and levels. Professional stage lighting is fully computerized, as is the digital sound system. Volunteers design and create elaborate sets for each new production. Audience seating capacity is intentionally limited to keep all seats in close proximity to the stage.

 

Our Artistic Directors and Sponsors

The Sea Ranch Thespians enjoy a revolving cast of artistic directors. For information on who will be directing the next production, view the Next Production section.

Artistic Directors

Lynne Atkins
Lynne co-founded Art Center Theater in 2003, where she acted and directed until stepping down as co-chair of the theatrical program in 2014. She directed over 20 productions for Gualala Arts including such shows as Music Man, Honk, Oliver, Annie, Beauty and the Beast, Wizard of Oz, Park Your Car in Harvard Yard, and Diary of Anne Frank. Her last directorial effort for GAC was Enchanted April. The Miracle Worker is the third show Lynne directed for The Sea Ranch Thespians – following Anastasia and Tuesdays with Morrie. Lynne enjoys acting – her favorite roles on the Mendonoma Coast have been in Steel Magnolias, Little Foxes, Love – Loss and What I Wore, Lettice and Lovage, Spoon River, One Flew Over the Cuckoo’s Nest, Cemetery Club, 2 Across and Odd Couple – Female Version. She holds Bachelors and Masters Degrees in Theater/Communications. Has worked in film and television, but enjoys “live” theater the most – for the thrill of creating for and with a live audience.

Diane Boeke
Diane graduated from the University of Utah with a theatre major. Following graduation, she taught speech and drama for several years and appeared as co-host on a weekly TV talent show in the early days of live commercial television. Then followed a move to Los Angeles where she appeared in experimental television productions for the U.S. Air Force. She later resided in Hawaii for 16 years, appearing in many community theatre productions, several movies, and live TV appearances on game shows and in commercials. Diane returned to Southern California where she continued her involvement in acting, directing, and producing community theatre productions before establishing residence at The Sea Ranch. Diane directed the first sixteen Thespian plays and appeared in "Dear Master" and "Beyond Reasonable Doubt". She then directed four additional plays for a total of twenty for the Thespians

Kathye Hitt
Kathye was a co-founder of the Gualala Arts Center Theatre and worked with them as producer, director, or set designer on over 25 productions from 2003 to 2014. Before moving to the coast, she earned a Master's degree in theatre from the University of North Texas and did extensive work in the Dallas area in theatre and film. Local directing credits include The Dixie Swim Club; 2 Across; Love, Loss, and What I Wore; Seascape; and Guilty Conscience for the Thespians and The Cemetery Club and Steel Magnolias for Gualala Arts. Favorite local roles include The Miracle Worker; Same Time, Next Year; Rehearsal for Murder; and The Foreigner at the Sea Ranch and Enchanted April; The Little Foxes; The Ladies of the Camellias; and Park Your Car in Harvard Yard at Gualala Arts.

Karen Serratoni
Karen has spent her life working in theater arts. After discovering the joys of storytelling, singing and dancing as a child, she taught theater arts, directed community theater, managed a children’s theatre and never stopped performing. When she and her husband retired to Sea Ranch she found The Sea Ranch Thespians and Gualala Arts where she has directed and performed regularly.Audiences may remember The Dining Room, Spoon River Anthology, and Same Time, Next Year under her direction at the White Barn.

Jeri Taylor
Jeri has had extensive experience in theatre as an actress, director, and teacher of acting. She had a career in television as a writer, director, and producer, with credits on such shows as the "Star Trek" franchise, "Magnum, P.I.", "In the Heat of the Night", and "Quincy, M.E.". As part of the Thespians, she has been seen in “Anastasia”, “Honour”, "Spoon River Anthology", "The Dining Room", "My Old Lady", "Beyond Reasonable Doubt", "Lettice and Loveage", "Sight Unseen", "The Supporting Cast" and "The Foreigner". Jeri directed two one-act plays, “Lemonade” and “The Autograph Hound”, and five full-length dramas, "Love Letters", "The Rainmaker", "Copenhagen", "A Question of Words", and "Wittenberg". She was co-director of "Three Viewings".

Bryn Elizan Harris
A PAHS 2000 alumna, Bryn studied performing arts at SRJC, Pacific Conservatory of the Performing Arts and at University of North Carolina School of the Arts, where she received a BFA cum laude in Directing in 2010. Her professional career as a performer and/or as choreographer/director has taken her from the Bay Area, to the Central Coast, to New York City, Portland and Ashland, Oregon and on tour in the Southern U.S. Upon her return to the Mendonoma Coast, she has performed, choreographed, directed and produced as a Co-Founder for Broken Anchor Collective, with Arts Center Theater, The Arena Theater and Sea Ranch Thespians. Bryn was seen onstage in the Thespian’s Three Viewings, co-directing with Jeri Taylor. She was also co-director, set and lighting designer and performed the memorable Schmendiman for the Successful Steve Martin comedy Picasso at the Lapin Agile, at the Arena Theater. Bryn directed Death by Design for the Thespians in April 2014.

Sponsors

Carol Emory, co-sponsor
Carol has a family history of theatre involvement. Her grandmother taught drama at the University of Wyoming for 24 years, her sister was a writer and actress and her nephew is an actor. Carol was involved in high school drama, but did not appear on stage again until she substituted for another actress in “Murder at Rutherford House”. Carol immerses herself in all the logistics of bringing a play to life – script reading, set construction, backstage, onstage (and occasionally under the stage), working with different directors and with the many people who contribute their many talents to making the Thespians as professional as possible.

John Wingate (1928-2012), co-sponsor
John's background was in mechanical and electrical engineering which he used in years of contracting, manufacturing and small business ownership. John provided our barn/theatre with equipment equal to or better than many professional theatres - computer-controlled lighting, sound and projection. He provided tools and supplies for set building as well as electrical upgrades to the barn systems. Ten years of working with the very dedicated barn crew on the rehab of the barn gave John an intimate knowledge of the structure, including the electrical and mechanical systems.
The performances are free - a gift to the community from Carol Emory and John Wingate (now via The Wingate Foundation).

 

The Sea Ranch Thespians announce their September 2017 play
- this will be our 40th production!


For the Pleasure of Seeing Her Again

by Michel Tremblay, translated by Linda Gaboriau

In a compelling balance of humor and poignancy, Tremblay offers glimpses of himself and his mother at five different stages of their lives together. It is a homage to his mother, who nurtured his imagination, his reclusive reading habits, and his love for the theatre and the arts. Michel Tremblay, a French Canadian from Montreal, is the most-produced playwright in Canada and pioneered Canadian authored plays in the French language.

Lynne Atkins, Director
Jon Handel and Jeri Taylor, Cast
Carol Emory and The Wingate Foundation, Sponsors

Knipp-Stengel Barn (Mile marker 53.76)

Performances September 28 to October 1 and October 5 - 8

All performances at 4pm

Free Admission
Parking cards provided at entrance

140 seats

Reservations are necessary

Bring a picnic to enjoy in the barn except on October 8th

 

Repertoire

Wittenberg

April 2017

Wittenberg

April 2017

A Question of Words

September 2016

A Question of Words

Septembrer 2016

A Question of Words

September 2016

The Dixie Swim Club

April 2016

The Dixie Swim Club

April 2016

The Dixie Swim Club

April 2016

The Miracle Worker

September 2015

The Miracle Worker

September 2015

Same Time, Next Year

April 2015

Same Time, Next Year

April 2015

2 Across

September 2014

2 Across

September 2014

Death by Design

April 2014

Death by Design

April 2014

Tuesdays Width Morrie

September 2013

Tuesdays Width Morrie

September 2013

Tuesdays Width Morrie

September 2013

Tuesdays Width Morrie

September 2013

Tuesdays Width Morrie

September 2013

Three Viewings

April 2013

Three Viewings

April 2013

Love, Loss, and What I Wore

September 2012

Copenhagen

April 2012

Copenhagen

April 2012

Proof
Revolving Stage

September 2011

Proof
Revolving Stage

September 2011

Proof
Revolving Stage

September 2011

Proof
Revolving Stage

September 2011

Proof
Revolving Stage

September 2011

Proof
Revolving Stage

September 2011

Proof
Revolving Stage

September 2011

The Rainmaker

April 2011

The Rainmaker

April 2011

Anastasia

September 2010

Anastasia

September 2010

Seascape

April 2010

Seascape

April 2010

A Thoousand Clowns

September 2009

A Thoousand Clowns

September 2009

Guilty Conscience

April 2009

Guilty Conscience

April 2009

Sylvia

September 2008

Sylvia

September 2008

Love Letters

April 2008

Honour

September 2007

Honour

September 2007

Honour

September 2007

Spoon River Anthology

April 2007

The Autograph Hound

September 2006

Lemonade

September 2006

The Dining Room

April 2006

My Old Lady

April 2005

Beyond Reasonable Doubt

September 2004

Beyond Reasonable Doubt

September 2004

Beyond Reasonable Doubt

September 2004

Beyond Reasonable Doubt

September 2004

The Odd Couple
Female Version

April 2004

Hence Forward

September 2003

The Woman in Black

May 2003

The Woman in Black

May 2003

The Woman in Black

May 2003

Lettice and Lovage

September 2002

Lettice and Lovage

September 2002

Lettice and Lovage

September 2002

Lettice and Lovage

September 2002

Rehearsal for Murder

April 2002

Sight Unseen

September 2001

Sight Unseen

September 2001

Sight Unseen

September 2001

The Supporting Cast

May 2001

ART

November 2000

ART

November 2000

ART

November 2000

The Foreigner

July 2000

Dear Master

November 1999

Rumors

August 1999

Pure as the Driven Snow

February 1999

Murder at Rutherford House

September 1998